Stories first live in the body. They prickle across the skin as goosebumps, catch in the throat as a gasp, and move along a family line, changing slightly with each retelling. A good story lingers, reshaping memory and place so that a river, a vacant lot, or a patch of brush never feels quite the same again.
When visitors step into New Horizons: The Western Landscape at the Amon Carter Museum of American Art, they won’t find sagebrush clichés, cowboys in silhouette, or sweeping vistas painted to satisfy nostalgia.
Frank—who earned bachelor’s and master’s degrees from Rice University’s Shepherd School of Music in the 1990s—will return to Houston for the world premiere of Frida’s Dreams, a multimedia spinoff of El último sueño.
Time is a precious commodity, and as we move further away from the standstill of the pandemic years, many of us are finding that we have far less than we would like.
Making dances can be an unrelenting cycle of creative ideation, talent management, and administrative multitasking; finding a platform to show the work once it is complete can be just as unforgiving.
Since its founding in 1959, Dallas Theater Center has been led by only five artistic directors: Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Kevin Moriarty. Now the Tony Award-winning regional theater can add one more name to the list: Jaime Castañeda, who officially assumes the position in July 2026.
