The exhibition title, Surrealism and Us, references the essay “1943: Surrealism and Us” by Suzanne Césaire (1915-1966), a Martinique writer, feminist, and anti-colonialist. Césaire believed that the concepts, aesthetics, and power of Surrealism could encourage self-determination and independence.
The Dallas Opera will treat its audiences next season to two of opera’s all-time favorites, but the real news belongs to the season’s other two slots: They’ll hold a pair of landmark works the company has never staged.
The Houston Chamber Choir’s annual showcase of high school choirs was mere days away, and artistic director Robert Simpson was making the rounds of the featured schools to touch base.
Dancer, choreographer and artistic director of Pilot Dance Project, Adam Castañeda didn’t begin dance training until his early twenties, yet he believes leaping over those childhood and adolescent studio years might have given him some advantages.
Long-time friends and former dancers for Dark Circles Contemporary Dance Emily Bernet and Taylor Rodman founded Bombshell Dance Project in Dallas in 2016.
Since its founding in 2001, Uptown Players has put a heavy emphasis on relationships—not only with its patrons, the majority of whom identify as LGBTQ+, but also with its performers, musicians, crew, artistic and administrative staff, and playwrights and composers.